Profiles / Film / Culture · LUCIR
Inde Navarrette Is Moving Beyond the Horror Breakout
Obsession put her at the center of a film. A fall fashion campaign gives audiences another way to recognize the actor.
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New essays, analysis and criticism from LUCIR, alongside the restored UPLIFTT archive and César Vargas’s published work. Culture, media, representation and public life, in full.
397 articles
Profiles / Film / Culture · LUCIR
Obsession put her at the center of a film. A fall fashion campaign gives audiences another way to recognize the actor.
Read the articleProfiles / Music / Culture · LUCIR
With Caribenya out this year, the Colombian Canadian artist gives listeners a reason to follow the work beyond a single signature album.
Read the articleProfiles / Television · LUCIR
A 2026 Emmy nomination and work on The Four Seasons connect Domingo’s acting to a broader interest in what an ensemble can do.
Read the articleProfiles / Television · LUCIR
The actor is joining Netflix’s live-action series as Portgas D. Ace, with the third season set for 2027.
Read the articleProfiles / Film / Culture · LUCIR
A new Luis Valdez documentary and LALIFF’s 25th edition connect the actor’s screen work to the institutions that help Latino stories survive.
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The Secret Agent’s Cannes prize and 2026 Oscar nomination invite a closer look at the Brazilian history surrounding its leading role.
Read the articleFilm · LUCIR · LOOKING BACK
A look back at Jayro Bustamante’s 2015 Kaqchikel-language film and the economic pressures hidden inside its coming-of-age story.
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A look back at Diego Luna’s 2020 Mexican discussion series and the difference between conversation and consensus.
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In the 2015 novel La mucama de Omicunlé, ecological damage and service work meet across time.
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SAOCOM’s L-band instrument makes soil moisture a national design choice, not merely an image from orbit.
Read the articleTheater · LUCIR · LOOKING BACK
Tanya Saracho’s 2014 play sets social standing and private expectations against each other in a Rio Grande Valley household.
Read the articleTech / Data & Reports · LUCIR
Revisiting federal research on tenant screening asks what housing technology owes the person being scored.
Read the articleCulture / Sports / Profiles · LUCIR · LOOKING BACK
Looking back at Rio 2016, the result is settled. How we cover the athlete behind it remains a choice.
Read the articleTech · LUCIR
A statistic about Latino connectivity needs its definition attached. Otherwise, we risk describing the wrong problem—and celebrating the wrong fix.
Read the articleTech · LUCIR
Uruguay’s Ibirapitá program treats digital access for older adults as devices, data, training, and continuing public support.
Read the articleTech · LUCIR
Mozilla’s separate Quechua entries show why speech technology must keep language varieties visible in its data.
Read the articleTech · LUCIR
ALMA’s receiver engineering and observing-time rules reveal how a global telescope depends on its Chilean home.
Read the articleTech · LUCIR
The Afro-Brazilian physicist’s semiconductor career complicates the idea that technology begins only with a startup founder.
Read the articleTech · LUCIR
Brazilian physicist Márcia Barbosa’s models of water anomalies show why fundamental research matters before anyone promises a practical device.
Read the articleTech · LUCIR
Medellín’s SIATA network links water-level instruments to alarms and local action, exposing the human work inside early warning.
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SASMEX detects an earthquake already underway; confusing an alert with prediction can make a protective tool less trustworthy.
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An October 1, 2026 IGP bulletin shows why the date, observation window and recommendation belong beside a volcanic alert level.
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Aurora Levins Morales’s Medicine Stories places Puerto Rican, Jewish and language identities in the same field of attention.
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Roque Raquel Salas Rivera’s lo terciario / the tertiary responds to Puerto Rico’s fiscal control through the language of political theory.
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Coco Fusco’s 2012 video brings Yoani Sánchez’s narration and a revolutionary archive into a contested public space.
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Ana Mendieta’s Imagen de Yagul survives in a museum as a photograph of an earth/body practice, with its own distinct dates and rights.
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Graciela Iturbide’s 1979 portrait of Zobeida Díaz carries a market encounter into a far wider symbolic life.
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Óscar Muñoz’s 1995 mirror work makes a viewer’s presence briefly expose a face that cannot stay.
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Tania Bruguera’s 2009 performance made public speech an action with a time limit, a witness, and a visible boundary.
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Tarsila do Amaral’s 1928 painting became an emblem of Brazilian modernism, but an emblem cannot settle who gets to define a country.
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A 1976 painting turns the museum label into a question about what an abstract sign is allowed to remember.
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Rosana Paulino’s 1997 embroidery hoops make a family photograph harder to consume as reassurance.
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María Magdalena Campos-Pons used irons, fabric and family voices to make domestic labor part of an archive.
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A 2009 work by Teresa Margolles asks what happens when evidence of violence enters an art collection.
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Bomba Estéreo’s 2021 album tied an elemental scheme to named collaborations in Santa Marta, then gave “Tierra” a later visual life.
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Cimafunk’s 2021 album places two named songs within his account of Black music across Cuba and the United States.
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iLe’s 2016 album makes independence look like a new arrangement of collaborators, not isolation.
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Silvana Estrada’s account of recording “Casa” gives her 2022 album a specific artistic argument about love and changing places.
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Liniker’s 2021 album uses a shared credit and a visual campaign to complicate the usual lone-artist story.
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Luzmila Carpio’s 2014 edition asks how early-1990s educational recordings enter a later music market.
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A retrospective on the Afro-Peruvian artist’s rhythmic work, whose creation date remains unsettled in institutional records.
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Oral histories and a 1975 exhibition record place Dominican and Dominican-descended writers inside graffiti’s formative New York years.
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The Dominican Fania co-founder shaped a record-and-stage network; the credits show the musicians and production workers who helped make it sound.
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Luny Tunes, Dominican dembow and the work of collaboration belong in a history that crosses Caribbean borders.
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From Johnny Pacheco to Luny Tunes and Maffio, following the work reveals a history that star billing alone cannot tell.
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Access to a chatbot is not the same as having the knowledge, bandwidth, judgment, and rights to create with power.
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Fair treatment is not an abstraction when insurance, language, and the ability to be understood still shape whether care is reachable at all.
Read the articleFilm · LUCIR
Gabriel Ripstein’s 2026 World Cup satire moves the story from the pitch to the offices where a host bid takes shape.
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Jennifer Lopez plays an airline CEO whose workplace romance puts private desire beside public authority.
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Manuela Martelli’s 2026 mystery returns to Chile’s political transition through a girl whose questions exceed what adults are prepared to explain.
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Argentine directors Juan Cabral and Santiago Franco revisit the 1986 match through archives, political memory and competing recollections.
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Juan Andrés Arango’s 2026 film follows a young Indigenous mother toward home after violence changes both her city life and the meaning of return.
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A São Paulo teenager’s prank becomes a search for repair in Lucas Acher’s prizewinning 2026 short.
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Paulina Dávila and Gael García Bernal lead a Mexican limited series about a return, a request and the limits of sacrifice.
Read the articleTelevision · LUCIR
A Chilean 2026 series brings the time of television mystery up against the long uncertainty of a real disappearance.
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Juanes places his public name beside his given name in a 2026 album whose credits reach across Latin American music scenes.
Read the articleMusic · LUCIR
Anitta’s second 2026 album chapter brings credited collaborators, poetry and spiritual imagery into one audiovisual project.
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Hernan Diaz’s new novel connects electricity, underground music and survival in a world rebuilding after the state’s collapse.
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Silvia Moreno-Garcia’s 2026 noir sends a con man to Veracruz, where the women he believes he understands complicate his plans.
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Cecilia Eudave’s novel, newly translated by Robin Myers, turns a Guadalajara summer into a meeting of partial memories.
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Álvaro Enrigue and translator Natasha Wimmer place a borderlands novel across centuries, where the Western is questioned by the people and languages it has excluded.
Read the articleCulture · LUCIR
The Smithsonian’s new Latino Museum showcase follows salsa through records, movement, memory, and the communities that keep its history in circulation.
Read the articleOpinion / Culture · LUCIR
Numbers can establish scale. Narrative power begins when we decide what those numbers are allowed to mean.
Read the articleOpinion / Theater / Culture · LUCIR
Belonging is not a sentimental promise. It is the daily work of making room for people to be whole in public.
Read the articleOpinion / Culture · LUCIR
If we speak about unity and uplift, we also have to name the people whose labor and language made the work possible.
Read the articleFilm · LUCIR
Gerardo Naranjo’s Mexican tragicomedy follows a man remade as a feared operator, where a gift for persuasion becomes its own danger.
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Maite Alberdi’s new Mexican documentary places dramatized performance and testimony beside a story that became a public scandal.
Read the articleTheater · LUCIR
Pregones/PRTT’s forthcoming musical puts poets, composers and theater makers in one conversation across the island and New York.
Read the articleTheater · LUCIR
Alejandra Ramos Riera and Jorge B. Merced’s upcoming Bronx production treats attention and community health as material for audience participation.
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Teatro Círculo’s December tribute, curated and directed by Pablo Zinger, frames seasonal music as a living cultural practice.
Read the articleTheater · LUCIR
Vanessa Verduga’s forthcoming 54 Below program presents two original one-act musical telenovelas under Broadway Sin Vergüenza.
Read the articleMusic · LUCIR
Gabriela Torres’s 54 Below evening promises a multi-genre program shaped by several Latino backgrounds rather than a single musical label.
Read the articleTheater · LUCIR
The bilingual Cuban-American singer-songwriter’s forthcoming 54 Below show frames a personal story through music, family and New York.
Read the articleFilm · LUCIR
Iván Dariel Ortiz’s 2025 Puerto Rican feature is scheduled for its Seattle Latino Film Festival Northwest premiere on October 9, 2026.
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Diego Luna’s adaptation of Brenda Navarro’s novel is scheduled for its first AFI FEST screening on October 25.
Read the articleMusic · LUCIR
Pedro Habano’s October 1 release places a song first issued in champeta into a vallenato setting with Yennifer Quintero and Valentina Velasquez.
Read the articleMusic · LUCIR
The Colombian artist’s September 9 album is framed by Sony Music as a 13-track message to his daughters and younger self.
Read the articleSports · LUCIR
Cuba beat Canada 3–1 on September 19 in the NORCECA Olympic Qualifier final, securing the region’s men’s volleyball berth for Los Angeles 2028.
Read the articleSports · LUCIR
Brazil completed an unbeaten, straight-set run at the September 13 South American Championship, beating Argentina in the final and qualifying for Los Angeles 2028.
Read the articleSports · LUCIR
World Athletics reported September 8 that Colombian thrower Flor Denis Ruiz Hurtado set a South American record of 67.34 metres in Santo Domingo the previous month.
Read the articleSports · LUCIR
Concacaf has scheduled the third W Champions Cup group stage from August through October 2026, keeping women’s club football active during a crowded regional calendar.
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The official Formula 1 schedule places the Mexico City Grand Prix practice sessions on October 30, qualifying on October 31 and the race on November 1.
Read the articleData & Reports / Tech · LUCIR
The Census Bureau’s September release makes room for independent work. Reading receipts as take-home pay would miss what that work costs.
Read the articleEducation & Academia · LUCIR
A September federal funding notice puts Hispanic-serving colleges in the applicant pool. The consequential work is the learning a funded project would make possible.
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A 102–69 third-place win in July gives Dominican women’s basketball a concrete result and players worth following.
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The July world finals put Dominican players, scores and teamwork into the official record of digital basketball.
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A 6.66-metre national-record jump in June puts women’s field events at the center of a Dominican sports achievement.
Read the articleOpinion / Culture / Tech / Data & Reports · LUCIR
Returning to my 2017 argument for basic income, with a question that still matters: why should dignity depend on constant exhaustion?
Read the articleTech · LUCIR
Google’s conversational Maps update changes how people may encounter neighborhood information. The useful question is whose local knowledge becomes legible—and whose does not.
Read the articleTech · LUCIR
A July Google Earth experiment offered rapid site visualizations, then was rolled back a day later. Real-estate technology needs that caution built into the product, not added afterward.
Read the articleTech · LUCIR
The April Firefly release promises a single interface across tools and models. Its value for working creators depends on whether conversational ease keeps authorship, review and cost legible.
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Meta’s June release pairs dashboard guidance with expanded AI translation. It may reduce friction, but it also makes platform interpretation part of the creative workflow.
Read the articleTech · LUCIR
The September test opens enrollment in 16 countries, while keeping independent fact-checking in place. That staged design matters more than a launch headline.
Read the articleTech · LUCIR
TikTok’s September 24 Mexico announcement places a local support line beside searches about gender violence. The feature should be judged by its handoff, privacy and practical reach.
Read the articleTech / Books & Writers · LUCIR
The September 19 announcement gives independent bookstores, literary creators and graphic narrative a visible place in TikTok’s Mexican book ecosystem. Its promise depends on what visibility can sustain.
Read the articleTech / Music · LUCIR
TikTok’s September 1 Mexico list places a Mexican track beside catalog revivals and global pop. The result is a platform measure of engagement, not a substitute for the music industry’s full record.
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In the 2024 Berkeley production, Octavio Solis turns Steinbeck’s route east and asks who inherits an American story.
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In The Jungle, a Caribbean crop carries histories that modernism cannot leave outside the frame.
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A Colombian founder, a Brazilian banking problem, and the difference between a bigger customer count and meaningful access.
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Iñárritu and Arriaga’s Mexico City story joins its characters in a collision while keeping the differences between their lives in view.
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Tatiana Huezo gives girls’ friendships, games and growing up their own weight in a story shaped by violence.
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An Argentine science-fiction story makes the familiar city strange—and survival a collective undertaking.
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Tanya Saracho’s Eastside story puts inheritance, queer belonging and a neighborhood’s future behind the same door.
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Christin Eve Cato’s backstage play puts the show’s countdown beside a canceled abortion appointment.
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An excavator, a body and the Guatemalan earth that refuses to stay silent.
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Ariel Szarfsztejn takes charge of the systems that connect commerce, payments and daily life.
Read the articleProfiles / Tech · LUCIR · LOOKING BACK
The astronaut’s legacy lives in research, robotic arms and the judgment to stop a launch.
Read the articleFilm / Culture · LUCIR · LOOKING BACK
In Pixar’s 2017 film, a stolen song turns remembrance into a question of credit, power and the stories a family inherits.
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In Disney’s 2021 film, Mirabel reveals the price of treating every family member’s gift as an obligation.
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In the 2019 series, a business built on staged horror reveals who commissions fear—and who does the work.
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Ana’s education and bodily autonomy cannot be separated from the garment workers around her.
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Luis Valdez keeps Ritchie Valens’ public sound connected to the family and languages that shaped it.
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Jaime Reyes becomes a superhero in front of his relatives. The genre has to make room for all of them.
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The Alvarez family turns the sitcom living room into a place where public pressures become personal.
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A Boyle Heights taqueria becomes the place where mobility, memory and displacement collide.
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In Freeridge, jokes and loyalty help teenagers carry threats they did not create.
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Monet Hurst-Mendoza’s heroine challenges who can inherit a dangerous, contested tradition.
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Rhode Island oral histories give a bilingual street—and the people who built it—a theatrical life.
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Mara Vélez Meléndez puts fiscal power, drag and Puerto Rican self-determination in the same room.
Read the articleCulture · LUCIR · LOOKING BACK
Fishing collectives enter the museum as makers and ecological authorities, not anonymous inspiration.
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The photographer’s intimate record preserves queer Los Angeles without turning loss into nostalgia.
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Coco Fusco and Guillermo Gómez-Peña’s performance exposes the people and institutions doing the looking.
Read the articleTech · LUCIR
The end of its coding bootcamp exposes what training cannot solve when employers stop hiring beginners.
Read the articleTech · LUCIR
An investment thesis becomes concrete through rules about location, sector, stage and who can apply.
Read the articleTech · LUCIR
Output-based software services still depend on human judgment. The workforce belongs in the story.
Read the articleFilm · LUCIR · LOOKING BACK
The narrator’s deliberate sonic interruption contests the boys’ class-bound account of Mexico.
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The fairy-tale tests and military commands force a child to judge what authority deserves obedience.
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The film’s politics sharpen when the continent and Alberto Granado are not treated as props in Guevara’s biography.
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A domestic worker’s point of view complicates the director’s family-memory project.
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The funeral becomes a concrete site where trans dignity and family power collide.
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Kolombia style and music as the social map migration disrupts.
Read the articleTelevision / Sports · LUCIR · LOOKING BACK
The 2015 series turns a football club’s succession crisis into an argument about public belonging and private dynasty.
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The 2022 workplace comedy tests care, masculinity and neighborhood obligation at a rehabilitation nonprofit.
Read the articleTelevision / Culture · LUCIR · LOOKING BACK
The 2024 series turns a childhood secret into a question of community witness, Zapotec specificity and gender.
Read the articleTelevision / Culture / Books & Writers · LUCIR
Episodic adaptation as the work of making Macondo’s repetition, time and place legible.
Read the articleTelevision · LUCIR · LOOKING BACK
A heroine-led quest as a test of collective obligation rather than inherited exceptionalism.
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The flower shop as a family brand whose polished surface makes melodrama’s politics visible.
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Lila Avilés uses the hotel’s vertical geography to make class legible through a worker’s route.
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Lila Avilés makes a child’s birthday preparation a study of care under the pressure of anticipatory grief.
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Lucrecia Martel turns Verónica’s uncertainty after an accident into an anatomy of class protection.
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Lucrecia Martel refuses colonial adventure’s forward motion by making Don Diego de Zama’s status depend on endless delay.
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Felipe Gálvez makes a Chilean western interrogate the images and institutions that turn Indigenous dispossession into national legend.
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Ciro Guerra and Cristina Gallego use the Wayuu family saga to show criminal commerce changing kinship, ritual and obligation.
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Gabriel Mascaro’s Brazilian fable asks what it means when a state treats elderhood as a logistics problem to be removed from view.
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Tatiana Fuentes Sadowski follows colonial photographs from Peru’s Amazon to expose how an image can be both evidence and an instrument of control.
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Across its 2021–25 run, the resort comedy uses a retrospective narrator to expose the labor and class bargain behind nostalgia.
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A medical drama about how private ambulance work reveals that an emergency already contains economics and family obligation.
Read the articleTelevision · LUCIR · LOOKING BACK
A police thriller in which women’s official inclusion is exposed as a performance that their investigative labor overturns.
Read the articleTelevision · LUCIR · LOOKING BACK
A noir adaptation that treats journalistic reconstruction as part of the power system it describes.
Read the articleTelevision · LUCIR · LOOKING BACK
A cross-border procedural that reverses the assumed direction of authority without romanticizing policing.
Read the articleTelevision · LUCIR · LOOKING BACK
A coming-of-age comedy in which competing relatives make advice feel like a social system rather than a lesson.
Read the articleTelevision · LUCIR · LOOKING BACK
A surreal city comedy where a missing object reveals the institutional scripts governing everyday recognition.
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A family sitcom in which reunion means renegotiating the versions of one another that relatives believe they own.
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The 2024 staging makes visible the unequal labor behind artistic ambition and family care.
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The 2024 production turns New Mexican geography into a family archive.
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A historically rooted train journey asks who bears the consequences of political action.
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The superhero premise exposes the clash between cultural imagination and marketing Latino consumers.
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The adaptation makes a European classic answer to Tejano place, border surveillance and elder care.
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The exhibition turns historical memory into a question of archival power and institutional selection.
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Brazilian Concrete art made systems of form a public argument, anticipating questions about designed algorithms.
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The video installation exposes the bodily and political choices erased by supposedly objective landscape images.
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The self-portrait connects political solidarity, reproductive technology and an unfinished account of self-love.
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An unbound book and room-sized installation make transformation collective and nonlinear.
Read the articleTech · LUCIR
English training should widen opportunity without treating Latin American workers’ existing language as a deficit.
Read the articleTech · LUCIR
Product ownership and acquiring power shape who benefits from Mexico’s payment infrastructure.
Read the articleTech · LUCIR
Latin American space innovation carries a real governance question as earth observation shifts toward persistent defense monitoring.
Read the articleTech · LUCIR
Developer-centered identity infrastructure makes access policy and account recovery a public-facing design issue.
Read the articleTech · LUCIR
Investor representation matters because decision authority shapes what companies the market can recognize and fund.
Read the articleCulture · LUCIR · LOOKING BACK
An analysis of how a memorial installation draws the visitor into a Chicana account of public memory.
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A close analysis of the two canvases and constructed edge in Blanco y Verde (1959).
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The redistribution of books, rather than monumentality alone, is the decisive act in two versions of the Parthenon.
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The projection of Sánchez’s shaped canvases changes how bodily and geometric forms share space.
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Mariposa Relámpago joins a migration object to public sound baths without reducing either to metaphor or medical claim.
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Two prints locate community knowledge in ordinary settings while requiring distinct readings of play and healing.
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The long development of VASIMR shows the gap between a compelling propulsion principle and flight-ready hardware.
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Remote imagery, geophysical data, and field sites show how the Chicxulub case was assembled by teams over time.
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reCAPTCHA converted a compulsory security task into transcription, exposing both the ingenuity and labor politics of the design.
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KELU-1 shows discovery as a change in classification during a systematic search for other faint objects.
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Nicolelis and colleagues’ feedback experiments place sensation, training, and collaboration beside the visible act of movement.
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Lending Circles makes visible a community lending practice that conventional credit files had ignored.
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The 2026 college production shows a canonical Chicano play living through training and repertory labor, not only anniversary praise.
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Venue change and radio adaptation show community theater as a practice maintained under disruption.
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The play links women entering a male-coded ensemble to the work of caring for family memory.
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Delgado treats a nightclub as an immigrant social infrastructure and takes the city history into public space.
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Marvin Quijada’s work makes music, movement and production labor carry the story, opening several language routes to an audience.
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The Oz framework in Brian Quijada’s musical is tested against a Salvadoran mother’s separation, music, and audience programs.
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The solo show uses circus and bolero rather than a tidy archival device, while its production exposes the labor behind one performer.
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Rodriguez’s own translation account frames language as a dramatic choice with costs, not a simple export switch.
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Kristoffer Díaz’s ring satire puts the economics of a supporting role alongside the market for racial stereotypes.
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Saracho’s two-person studio play tracks class and ownership when a writer uses a cleaner’s life as material.
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Teatro Dallas’s 2024 staging puts a Puerto Rican playwright’s older magical-realist work into a contemporary local repertory.
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A 2018 free neighborhood tour lets Zacarías’s garden dispute travel outside a theater building.
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The paid lector turns reading aloud into a contest over who sets the pace and meaning of a workday.
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Fornés makes movement and limited vantage point part of the audience’s encounter with the play.
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Hudes places an online recovery group beside a returning veteran to test what practical care across distance can do.
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Alfaro places a classical tragedy at the address where immigration status changes what a family can risk.
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The original stage play centers labor and surveillance in the factory, beyond later screen or musical versions.
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Andrea Thome builds an interview-based theater work around gathering as a practical response to threatened separation.
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Benjamin Benne puts a mother and daughter’s competing futures on a single night and a bilingual regional stage.
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Carmen Rivera turns a family visit into a dispute over who can call Puerto Rico home.
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Aunt, teacher and child face the question of what a boy can inherit without being made to repeat it.
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Jayro Bustamante brings a national horror into the house of the man who expects to escape it.
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Claudia Llosa’s film makes a family’s account of violence a question of voice, work and bodily autonomy.
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In César Díaz’s film, forensic work meets the stories a son has not yet learned to hear.
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A Brazilian town confronts the people who would turn its residents into targets.
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A demolition expert and a bride discover how a private grievance changes when a crowd starts watching.
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Alejandro Landes follows young fighters whose assigned responsibility becomes a test of their fragile order.
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Klaudia Reynicke puts a father’s signature at the center of a family’s departure from 1992 Lima.
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Alessandra Lacorazza gives a father and his daughters years in which to remember each other differently.
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Marcelo Martinessi locates a change in freedom inside the ordinary routes of a woman’s life.
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Claudia Piñeiro and Marcelo Piñeyro distinguish sincere faith from the machinery built to exploit it.
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A prison transfer brings old conflicts into a new contest over escape, allegiance and control.
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Dago García’s Bogotá school comedy asks what the boys reveal when they try to understand the only girl in class.
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Carolina Aguirre’s comedy gives social comparison a wedding invitation, a dating profile and consequences.
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An Argentine comedy puts the gap between a public institution’s image and its work under pressure.
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A Colombian musical drama makes authorship, betrayal and return part of the same fight.
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The Colombian limited series turns recruitment, a stubborn safe and the getaway into separate crises.
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Paco Ignacio Taibo II’s detective moves through celebrity, labor and the institutions that can make him a suspect.
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A Mexican drama makes reproductive power and the terms of an agreement inseparable.
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The Argentine series builds toward a celebrated Fito Páez album without making one record an entire life.
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The latest federal report draws on 2023 data to show why two-year colleges belong at the center of the Latino education conversation.
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The Census estimate makes a population visible. Race, national origin and self-identification explain why the total cannot tell the whole story.
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Elizabeth Acevedo’s 2023 novel makes a Dominican American gathering a test of who gets to tell a family story.
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Cristina Rivera Garza uses letters, memory and an unresolved file to restore her sister’s life beyond the crime.
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Edwidge Danticat’s Haitian protagonist exposes the human scale of the 1937 massacre in the Dominican Republic.
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Roque Raquel Salas Rivera’s epic makes naming, translation and Puerto Rican place part of its plot.
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Claudia Hernández follows Salvadoran women through the obligations and absences that survive armed conflict.
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The Cuban printmaker made an all-male society’s legend answer to its silenced female figure.
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Firelei Báez placed a Caribbean ruin inside a working port’s history of migration and trade.
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Édgar Calel’s Maya Kaqchikel installation asks an institution to perform care, not just own objects.
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Joiri Minaya’s Santo Domingo statue work replaces the monument’s fixed view with a history of botanical resistance.
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Lido Pimienta’s album makes collaboration and uneasy belonging coexist without asking one to cancel the other.
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The Afro-Cuban singer’s Puerto Rico sessions with Eduardo Cabra mark an authored turn, not an abandonment of earlier work.
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The Aymara architect’s El Alto buildings join commerce, festivity and housing in one highly visible structure.
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The Colombian engineer’s rover operations and Spanish-language landing broadcast put technical command and public explanation in the same frame.
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Olga González-Sanabria’s NASA career links a small energy-storage component to the institutional decisions that keep space research alive.
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The Colombian physicist’s theory shows why the machinery of quantum technology includes calculations that never appear in a product demo.
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Rafael Lozano-Hemmer’s Pulse Room turns biometric capture into a visible queue, making participation inseparable from displacement.
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Artificial Natural History borrows the authority of scientific illustration while exposing what happens when a machine fabricates its subjects.
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The Brazilian initiative connects research, training and employers while refusing to let a limited survey stand in for a national census.
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A Rio training program treats networks, privacy and employment as connected parts of digital citizenship.
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Jorge Heraud’s agricultural robotics asks how precision is measured once an algorithm enters the field.
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Venezuelan engineer Evelyn Miralles helped make virtual-reality training useful when astronauts could not return to the ground.
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The Mexican inventor’s chromoscopic adapter is a precise achievement that disappears under the claim that one man invented all color television.
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Mozilla’s separate 2026 speech datasets for Nahuatl varieties show why language technology must begin with precise names and community context.
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Katherine Chacón’s accessibility work in Ecuador puts digital services and physical routes in the same design conversation.
Read the articleFilm · LUCIR · LOOKING BACK
Julio Torres’s 2024 film turns an artist’s visa clock into a surreal design constraint, exposing how employment can govern imagination.
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In the 2023 biographical film, Gael García Bernal’s wrestler challenges a ring tradition that allowed the exótico to entertain but expected someone else to win.
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Pablo Larraín’s 2023 vampire satire makes Chile’s political past a grotesque family estate.
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Maite Alberdi’s 2023 documentary places a journalist’s Alzheimer’s diagnosis beside a partnership built on political memory and daily attention.
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In Felipe Holguín’s 2023 film, an Afro-Colombian girl’s boxing dream meets a village’s missing electricity and map presence.
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Pedro Freire’s 2024 film turned family memory into a rehearsal process that pushed beyond three easy generations of conflict.
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Juan Sebastián Quebrada’s 2023 film places a teenager’s loss inside the school days that continue after his brother dies.
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Alejandra Márquez Abella’s 2023 José Hernández film locates a spaceflight in the fields, classrooms and family work that preceded it.
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Eugenio Derbez played an inventive educator in the 2023 film, but the students’ prospects exceeded any single classroom method.
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In the 2024 film, a Mexican American high-school golf team first has to make somewhere its players are allowed to play.
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The 2024 Brazilian racing miniseries tied individual speed to public expectations and safety questions that outlasted a champion.
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The 2024 first season returned to Rocket’s lens and the earlier film’s images to ask what a community could do with its own memory.
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The Mexican adaptation that debuted in 2024 treats cooking as both a compulsory family role and a medium of resistance; its final season aired in 2026.
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Gloria Calderón Kellett’s family series, which debuted in 2021, made celebrations checkpoints for choices that stayed unsettled between them.
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The 2020–21 family-authorized drama moved beyond a star’s image to the work of making a Tejano career together.
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The Chilean crime series, which debuted in 2024 and returned for a second season in 2025, set speed and class distance against a reckless idea of escape.
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The Brazilian series that debuted in 2021 tested a trans woman’s new independence when a child and his mother arrived with urgent needs.
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The 2023 Mexican western placed a legend beside a farmer to ask whose land and story survived the California Gold Rush.
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The Mexican family saga that debuted in 2019 made an agave empire’s prestige answer to workers, secrets and succession.
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The sitcom that debuted in 2022 turned George and Mayan Lopez’s estrangement into family comedy while keeping the fictional family distinct from their lives.
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Luiselli’s 2019 novel asks what a family can carry across the Southwest—and what an archive can never hold for someone else.
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In the 2018 novel in verse, Elizabeth Acevedo’s Dominican Harlem teenager finds a public voice only after protecting a private one.
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The 2023 English edition of Mariana Enríquez’s horror novel turns a family bond into a struggle over a child’s future.
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Wiener’s 2022 novel makes an inherited explorer story answer to the objects and people it tried to own.
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A 2014 Berklee concert shows how Afro-Peruvian music can be taught through new arrangements without becoming a relic.
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The 2015 reworking of La Candela Viva lets Totó la Momposina’s archive sound like an ongoing collaboration.
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A historical Smithsonian recording and Chilean museum record reveal the cost of dividing Parra’s songs from her visual art.
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The Honduran Garifuna artist’s 2011 album joins migration, food, love, and politics without making one song stand for a whole people.
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Salcedo’s 2008–10 installation gives grief a physical route without pretending the lost can be restored.
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The Colombian artist’s 1970 Lullaby places a popular mother-and-child image on used hospital furniture.
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The 2003–04 housing project locates design in what residents might change after the architect leaves.
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After September 2026 groundbreaking, Escobedo’s unfinished Tang Wing can be assessed through its proposed visitor routes.
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Hudes’s 2006 play gives three generations of Puerto Rican service members different memories of the same institution.
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A 2025 reading of Billini’s Miami play places care work beside an image business built on changing women’s bodies.
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In the 2015 Goodman premiere, Castro Smith used horror to make a grieving teenager’s certainty unstable.
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Zimmerman’s 2013 Goodman play treats battle’s allure as a problem that survives the battlefield.
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Saracho’s 2011 Chekhov adaptation makes land ownership in northern Mexico inseparable from class and danger.
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The 2016 Brazilian fable uses a stranger’s arrival to expose an argument already inside a family.
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First staged in 2005, Zacarías’s desert play measures an artist family against the colony it hoped to build.
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The 2010 Oregon Shakespeare Festival premiere turns a citizenship exam into an unruly walk through U.S. history.
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In the 2013–14 rolling premiere, Thome’s sisters invented worlds in Wisconsin while adults wrestled with Chilean exile.
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The 2016 Hudes-McKeown musical makes a mother-daughter reunion share the stage with immigration time.
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Scheer’s 2019 play gives teenage girls a treehouse refuge and a dangerous borrowed name.
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Cato’s 2022 Puerto Rican family play gives an argument a cooking task that cannot wait for perfect agreement.
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The 2022 Bolivian film Utama makes a changing climate tangible through one Quechua couple’s difficult decision to stay.
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The 2022 Argentine series The End of Love turns one woman’s breakup into a question about inherited rules for intimacy.
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Alexis Scheer’s gallery comedy turns an art-fair deadline into a test of family labor, identity and who gets credit.
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Julia Alvarez’s 1994 novel distinguishes the record of the Mirabal sisters from the imaginative work of giving them voices.
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INPE’s TerraBrasilis portal separates rapid forest alerts from annual measurement—and from the legal decision that follows.
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